1840
left column
- COP ROCK.
9/26/90
Debut. (A police musical series.)
Tapes on this page: 8 new
## HEADING: POLICE - GANGSTERS ## LEFT COLUMN 1840. C O P R O C K . Debut. (A police musical series.) 9/26/90 1841. C O P R O C K . Musical police series. 12/12/90 Last show of series. 12/26/90 MANIAC COP. (1988) ABOVE THE LAW. (1988) w/Steven Seagal & Henry Silva. 1842. AGAINST THE LAW: Series Debut. 9/23/90 w/Michael O'Keefe & Suzanne Douglas 1843. SUPER FORCE: Series Debut.(Future cop) 9/21/90 w/Ken Olandt & Patrick Macnee. 1844. True Blue (Series Debut) 12/3/89 NYPD Emergency Services Unit rescues. 1845. DEA DRUG ENFORCEMENT ADMINISTRATION Series debut. 9/7/90 Quasidocumentary style. w/Tom Mason. ## RIGHT COLUMN 1846. CRIMES OF PASSION: 30 James Woods host: 10/26/88 A teen-age homicide in Iowa. A Houston newsman 'Fatal Attraction'. CRIMES OF THE HEART. (1986) w/Diane Keaton; Jessica Lange, Sissy Spacek & Sam Shepard. HARD COPY: Former Lovers. 2/12/90 CRIMES OF PASSION: 3/4/90 Mystery in Kenya. 1941 murder of Lord Erroll. 'White Mischief' movie. 1847. LAW & ORDER: Crime series of late have taken to a deglamorized, down-and-dirty view of the criminal-justice system, to achieve realism or something that passes for it. This interesting new series (Tuesdays at 10 P.M. [ET] on NBC) goes all the way, dumping the last vestiges of glam- our like a bad habit, for an unsentimen- talized depiction of New York cops and prosecutors at work. And as the show settles into the season and finds its style, it starts to look like a local news report. Those hand-held cameras and grainy-film, natural-light exposures, shaky pans and low angles (in early episodes, at least) all give the series a harsh, one-take look that resembles the hasty but competent shooting and edit- ing of big-city TV news. The color satu- ration has been turned down, leaving landscapes and people with a leached- out, ashen appearance that suggests the whole town has stayed up too late. Do I like it? Yea. Watching it is like drinking bourbon straight. We get no coddling here, no sentimental payoffs. There's very little background music. There is hardly a hint of sex, let alone romance. The actors aren't even pretty to look at. This show is not for wimps. Part of the story deals with the cops finding the crook; then the assistant DAs move in to prosecute the crook. It all looks low-budget, the way real cops and criminal lawyers and their environs look low-budget. In a typical story, detectives Max Greevey and Mike Logan (George Dzundza and Chris Noth) are called in when a stabbed "vic" is found collapsed by his car. The victim is a city councilman on the take, the two young thugs who robbed him found him already wounded, and our cops begin to uncover a smelly vein of corruption that winds through city gov- ernment. Max is a blunt-faced, over- weight copper with a bad haircut and a cynical outlook. Logan is lean and pale and likes to sweat suspects. They pass the case along to prosecu- tors Ben Stone (Michael Moriarty, above right) and Paul Robinette (Richard Brooks, above left) who find that the bagmen include city councilmen and a prominent police inspector. Stone is a smug but hard-working WASPish char- acter with a receding hairline. Robinette is young and solemn and still trying to stave off disillusionment. Sometimes the prosecutors take the case to court, sometimes they hammer out a deal in the office. In the Law & Order universe, the police routinely lie to suspects, politicians cover their be- hinds, everything is negotiable, and the last guy out turns off the lights. The leaner and bleaker the show gets, the more it distinguishes itself from other cops-and-robbers shows, and the better I like it. Executive producer Dick Wolf, who created the series, gives us no glorifying footage of New York scenery. But out- door scenes are clearly shot there, and they look right. There's even something of a New York attitude in the show's style: Hey, ya want crime? Here it is. Now shaddup. w/Geo. Dzundza, Chris North, M.Moriarty Subteranian Home. Boy Blues. The Reapers Helper. 10/4/90 Everybody's Favorite Bag Man. 10/30/90 w/Roy Thinnes. 11/20/90 Poison Ivy. 12/4/90 Prisoner of Love. 1/8/91 Life Choce. (Abortion) 2/5/91 The Violence of Summer. 2/12/91 Candy Store assault.