Structured entries
- EMPIRE
w/ Kenneth Welsh; Jennifer Dale & Mitch Martin
Debut. 3-Part Mini-series.
- NOTHING IS EASY
2/8/87
w/ Dee Wallace Stone & Ke Huy Quan
The Randalls of "Together We Stand"
- Jack's PLACE
5/26/92
w/ Hal Linden; Finola Hughes, John Dye and guests: Linda Purl, Sean Ryan, Cesar Romero, Shawn Weatherly, John Ashton, Robert Guillaume, Robin Strasser, Ed Flanders. Barbara Babcock.
Debut
- valerie
3/1/86
w/ Valerie Harper.
Debut
Transcription (raw)
## LEFT COLUMN
2494. EMPIRE : Debut.
TV-80. 3-Part Mini-series: Kenneth Welsh,
Jennifer Dale & Mitch Martin.
NOTHING IS EASY. 2/8/87
The Randalls of "Together We Stand"
w/Dee Wallace Stone & Ke Huy Quan.
2495. VALERIE BERTINELLI:
TV-81. SYDNEY 3/21/90
Series w/Bertinelli as a P.I.
IN A CHILD'S NAME, 11/17/91
2-Part series of a murder case that
broke in New Jersey in 1984.
w/Louise Fletcher, Michael Ontkean
and David Huddleston.
2496. KEYWEST (Debut) 1/19/93
TV-82. w/Fisher Stevens, T.C. Carson,
Denise Crosby, Jennifer Tilly,
Mariska Hargitay & Leland Crooke.
CAMP
2497. WILDER (Debut) 9/18/92
TV-83. w/Mary Page Keller, Jerry O'Connell,
Jay Mohr, Hilary Swank & Paul Sand.
They call it
2498. Jack's (Debut) 5/26/92
TV-84. PLACE w/Hal Linden, Finola Hughes,
John Dye and guests:
You'll love the company Linda Purl, Sean Ryan,
Cesar Romero, Shawn Weatherly, John
Ashton, Robert Guillaume, Robin Strasser,
Ed Flanders. Barbara Babcock.
## RIGHT COLUMN
2499. valerie (Debut) 3/1/86
TV-85. w/Valerie Harper.
2500. VALERIE : 2.
TV-86. w/Danny Ponce, Jason Bateman
Jeremy Licht & Josh Taylor.
2501. VALERIE : 3.
TV-87. w/Sandy Dunkin 11/23/87 - 2/22/88
THE GREAT MOM SWAP. 9/23/95
w/Sid Caesar & Shelley Fabares.
2502. MAD ABOUT YOU. (Debut) 9/23/92
TV-88. w/Paul Reiser & Helen Hunt.
Mad About You
NBC, Wednesdays, 9:30 P.M. (ET)
For his new sitcom, Paul Reiser got to be
Adam in the Garden of TV and create a
wife. He did great. Helen Hunt makes
him a delightful wife—witty yet nice,
pretty yet modest, slightly neurotic her-
self, and the perfect pun to prick his ego
and eccentricities. They make one cute
couple—and that's what
makes their show so good.
Their chemistry is so
potent it came alive even
in their commercials this
summer as Paul and Helen
jockeyed for space in their
too-small New York bath-
room (and she dribbled
toothpaste on his neck).
Such mundane but funny
scenes of real life are the
best parts of Mad About
You: He moans about
wasting a Saturday in a de-
partment store—"This is time you never
get back." She mocks him for how he
looked in the '70s—"'Are those sideburns
or headphones?' He complains about
her snoring—"'What could you possibly
have in your nose that I don't?' In those
small moments, Mad About You is in-
credibly credible about married life.
But that believability disappears in a
flash when the show's writers resort to
sloppy, easy gags: Paul and Helen make
yippee in the kitchen while guests wait
in the living room. (I don't know anyone
who'd do that and I don't know any New
York kitchen big enough for doing it.)
Their nebbishy friend the gynecologist
Costars and one fun couple:
Helen Hunt and Paul Reiser.
tells Paul he examined Helen: "She was
in the stirrups when she told me about
you." Paul faints. (Which means nobody
could come up with a good line to end
this bad gag.) When Paul wants to get out
of seeing a quilt show with Helen, the
only complaint he and his writers can in-
vent is that folk art causes "wilding."
(That is New York's new name for vio-
lence; this is a very New York show.)
Mad About You stum-
bles when it forgets it's
about a relationship and
tries to be about clever
and cool New Yorkers.
There's too much New
York on TV already: in
Love & War (which has
slipped since I raved
about it here), Flying
Blind (where Corey
Parker is doing unfor-
tunate and unabashed imita-
tions of Woody Allen).
and Seinfeld (the show
they're all trying to copy, the one that ad-
mits it's about nothing). I'm afraid this
Gothamizing of prime time will do to
young people today what old Woody
Allen movies once did to me. He con-
vinced me that New York was filled with
quippers, not criminals, and so I moved
there. But I quickly discovered that New
York is no Gershwin tune. It's no situa-
tion comedy, either.
Mad About You is a damned good
show that's getting better. It's best when
it doesn't try to be New York hip but just
tries to be a show about a subject
Reiser—and the rest of us—know far
better: that sitcom called marriage.
2503. LOVE & WAR
TV-89. w/Susan Dey & Jay Thomas.
Debut. 9/21/92